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[China] The Ancient Game of Go: A Legacy of Chinese Strategic Wisdom
Go is an ancient two-player abstract strategy board game that originated in China over 2,500 years ago. It is played on a grid of black lines, typically 19x19 in size (though smaller boards like 13x13 or 9x9 are used for beginners or quicker games). The equipment consists of black and white lens-shaped pieces called "stones," which are placed one at a time on the intersections of the lines. The objective is to control more territory than your opponent by using your stones to surround empty areas of the board, as well as to capture enemy stones by completely surrounding them. Despite its simple rules—alternating turns, placing stones, and the prohibition of suicide moves (a move that would cause a group to be immediately captured)—the game is profoundly complex. It is celebrated for its immense strategic depth, balance between territorial and positional play, and emphasis on intuition, pattern recognition, and long-term planning over pure calculation. The game ends when both players consecutively pass, indicating that no more beneficial moves remain. The score is then calculated by counting each player's surrounded territory plus the number of captured stones. The player with the higher score wins. Go is revered not just as a competitive game but also as an art form, a discipline for mental development, and a cultural artifact reflecting philosophical concepts like balance, flexibility, and influence. Today, it is played worldwide, with professional systems in several East Asian countries and advanced computer programs like AlphaGo having achieved superhuman mastery.
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Traditions
[Yemen]
The "Madraha", that swing which carries within it the essence of longing and waiting, is more than just a game or ceremonial ritual in Yemeni culture; it is a means by which the Yemeni community expresses its deepest feelings of loyalty, solidarity, and reverence. It was never just a swing swaying in the open space of a courtyard or public square; it was a sacred symbol that swayed between the heavens and the earth, embracing hopes and reviving memories. Every year, with the approach of the Hajj season, hearts begin to race toward those moments when the Madraha is set up in the courtyard of a home or in the village square. There, family members, neighbors, and friends come together with love and cooperation to create this unique celebration, one that stretches across time and place. They hang the swing made of sturdy ropes or chains, and on it, they drape the clothing of the pilgrim whether it be a robe, a headscarf, or any item that symbolizes farewell and a wish for safety. And then, the magical moments begin to unfold, as family and friends sing hymns filled with love and yearning, their voices harmonizing with the beat of drums and the rhythm of feet dancing in joyful sorrow. These hymns, born from the Sanaani chants, speak of various emotions: the pilgrim’s departure filled with hope, the family’s yearning for a return that hasn’t yet come, and the longed-for reunion that brings tears of joy and relief. The Madraha is a constantly renewed poem written every year with the hearts of the loved ones. It is a song of prayers and longing, calling for the pilgrim’s safety and singing of every absence. The swing, swaying in space between nostalgia and hope, is nothing but a vivid depiction of the long wait that has lasted for centuries. In the past, the Hajj journey took many months, and sometimes the pilgrim would never return, leaving families and villages to live on hope alone. For over 1200 years, the Madraha has remained the queen of rituals in Yemen, deeply rooted in the collective memory from one generation to the next. It was never just a farewell custom; it symbolized the hope for safety and return. Every time they raised their hands in prayer, they were lifting their spirits to the heavens, awaiting an answer. In the heart of Old Sana'a, and within the hearts of all Yemenis, this tradition remains alive. Even if some of its outward manifestations have faded in the city, the scent of incense, the sound of hymns, and the glow of torches that light up the dark nights continue to fill the air in people’s hearts. It is a call to wait, a celebration of safety, and a promise of loyalty. The Madraha is not just a swing; it is a testament to love that never dies, a hope that never ceases, and a dream of return with every passing moment of waiting. It is the story that never ends, a story written by fate between the light of torches and the beat of drums, between the hope of reunion and the tears that fall in joy upon the return of the pilgrim, as the Madraha stands as a witness to their return.. bearing with it the fragrance of the holy places, and filling the days with memories and experiences that will never be forgotten. see more here: 1- https://m.youtube.com/watch?v=12q0uE1fXjA 2- https://www.aljazeera.net/gallery/2023/6/26/%D8%A7%D9%84%D9%85%D8%AF%D8%B1%D9%87%D8%A9-%D8%AA%D9%82%D9%84%D9%8A%D8%AF-%D9%8A%D9%85%D9%86%D9%8A-%D8%AE%D8%A7%D8%B5-%D8%A8%D9%85%D9%88%D8%B3%D9%85-%D8%A7%D9%84%D8%AD%D8%AC
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Traditions
[Spain] Entierro de la sardina / The Burial of the Sardine
It's a traditional festivity in Murcia an it's most famous one. It is a pagan festival in which mythology and fire are mixed, and above all, an overflowing joy that invades every corner of Murcia. Declared International Tourist Interest, this festivity closes the Spring Festivities on the Saturday following Resurrection Sunday. Together with the Bando de la Huerta, it is the other great festivity of Murcia. It is a pagan parade in which mythology and fire are mixed, and above all, an overflowing joy that invades every corner of Murcia. The parade is several kilometers long and consists of two distinct parts; a headboard with charangas, comparsas (musical groups walking through the streets), animation groups, the articulated dragon of Conte that, for decades, has impressed spectators by throwing fire through the mouth, giants and big-headed; and a second part composed of floats dedicated to the Gods of the Olympus that, adorned with allusive motifs, accompany the sardine to its burning next to the Town Hall. Thousands of toys, of all imaginable forms, are handed out from the floats, including the whistle that everyone sounds. The organization of the festival is carried out by the ‘Sardine Groups’, who during the previous days extraordinarily animate the city with its small parades. In particular, on Saturday morning, on the boulevard of Alfonso X the Wise, where a crowd and informal parade takes place. That day Murcia attracts tens of thousands of visitors from all over the Region and from many other provinces fascinated by a festival that spreads joy to the city. At the end of the parade, with no fixed hour but already in the early morning, the sardine, a cardboard-stone monument similar to those used in the Falles, is burned in a purifying fire under a spring sky lit by impressive fireworks. The Burial of the Sardine is accompanied by various festivities that are held the week of Spring Festivities. The most striking one is the Testament of the Sardine, the night before the parade. "Doña Sardina", embodied in a woman chosen by the Sardineros, reads the will from the balcony of the Town Hall, alluding in a humorous way to facts and characters of public life. The origin of this holiday in Murcia dates back to the 19th century and was celebrated before Lent. Over time, it has varied its date of celebration, but it has not lost its carnival character.
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[Guam] Lady of Camarin Day (December 8)
Lady of Camarin Day, celebrated on December 8th in Guam, is a significant religious observance that honors the island's patron saint, the Our Lady of Camarin (Nuestra Señora de Camarín). This day holds great religious and cultural importance for the people of Guam. The Our Lady of Camarin is a revered figure in Guam's Catholic tradition, and her sanctuary, located in the village of Agaña (Hagåtña), is a focal point for religious pilgrimages and gatherings. Pilgrims from across Guam and the Marianas Islands visit the sanctuary to pay their respects to the Lady of Camarin and seek her blessings. On Lady of Camarin Day, a solemn procession takes place, during which an image of the Virgin Mary is carried through the streets of Hagåtña. The procession is a powerful symbol of faith, with participants often dressed in traditional clothing and bearing candles and flowers as offerings. Catholic Masses and religious ceremonies are held throughout the day, and many devotees attend to seek spiritual guidance and express their devotion to the Lady of Camarin. The day also provides an opportunity for families and communities to come together in prayer and reflection. Lady of Camarin Day is a testament to the deep-rooted Catholic faith in Guam and the enduring cultural connections between religion and daily life on the island. It underscores the importance of faith, community, and tradition in the hearts and minds of the people of Guam.
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