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[China] The Ancient Game of Go: A Legacy of Chinese Strategic Wisdom
Go is an ancient two-player abstract strategy board game that originated in China over 2,500 years ago. It is played on a grid of black lines, typically 19x19 in size (though smaller boards like 13x13 or 9x9 are used for beginners or quicker games). The equipment consists of black and white lens-shaped pieces called "stones," which are placed one at a time on the intersections of the lines. The objective is to control more territory than your opponent by using your stones to surround empty areas of the board, as well as to capture enemy stones by completely surrounding them. Despite its simple rules—alternating turns, placing stones, and the prohibition of suicide moves (a move that would cause a group to be immediately captured)—the game is profoundly complex. It is celebrated for its immense strategic depth, balance between territorial and positional play, and emphasis on intuition, pattern recognition, and long-term planning over pure calculation. The game ends when both players consecutively pass, indicating that no more beneficial moves remain. The score is then calculated by counting each player's surrounded territory plus the number of captured stones. The player with the higher score wins. Go is revered not just as a competitive game but also as an art form, a discipline for mental development, and a cultural artifact reflecting philosophical concepts like balance, flexibility, and influence. Today, it is played worldwide, with professional systems in several East Asian countries and advanced computer programs like AlphaGo having achieved superhuman mastery.
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Traditions
[Yemen]
The "Madraha", that swing which carries within it the essence of longing and waiting, is more than just a game or ceremonial ritual in Yemeni culture; it is a means by which the Yemeni community expresses its deepest feelings of loyalty, solidarity, and reverence. It was never just a swing swaying in the open space of a courtyard or public square; it was a sacred symbol that swayed between the heavens and the earth, embracing hopes and reviving memories. Every year, with the approach of the Hajj season, hearts begin to race toward those moments when the Madraha is set up in the courtyard of a home or in the village square. There, family members, neighbors, and friends come together with love and cooperation to create this unique celebration, one that stretches across time and place. They hang the swing made of sturdy ropes or chains, and on it, they drape the clothing of the pilgrim whether it be a robe, a headscarf, or any item that symbolizes farewell and a wish for safety. And then, the magical moments begin to unfold, as family and friends sing hymns filled with love and yearning, their voices harmonizing with the beat of drums and the rhythm of feet dancing in joyful sorrow. These hymns, born from the Sanaani chants, speak of various emotions: the pilgrim’s departure filled with hope, the family’s yearning for a return that hasn’t yet come, and the longed-for reunion that brings tears of joy and relief. The Madraha is a constantly renewed poem written every year with the hearts of the loved ones. It is a song of prayers and longing, calling for the pilgrim’s safety and singing of every absence. The swing, swaying in space between nostalgia and hope, is nothing but a vivid depiction of the long wait that has lasted for centuries. In the past, the Hajj journey took many months, and sometimes the pilgrim would never return, leaving families and villages to live on hope alone. For over 1200 years, the Madraha has remained the queen of rituals in Yemen, deeply rooted in the collective memory from one generation to the next. It was never just a farewell custom; it symbolized the hope for safety and return. Every time they raised their hands in prayer, they were lifting their spirits to the heavens, awaiting an answer. In the heart of Old Sana'a, and within the hearts of all Yemenis, this tradition remains alive. Even if some of its outward manifestations have faded in the city, the scent of incense, the sound of hymns, and the glow of torches that light up the dark nights continue to fill the air in people’s hearts. It is a call to wait, a celebration of safety, and a promise of loyalty. The Madraha is not just a swing; it is a testament to love that never dies, a hope that never ceases, and a dream of return with every passing moment of waiting. It is the story that never ends, a story written by fate between the light of torches and the beat of drums, between the hope of reunion and the tears that fall in joy upon the return of the pilgrim, as the Madraha stands as a witness to their return.. bearing with it the fragrance of the holy places, and filling the days with memories and experiences that will never be forgotten. see more here: 1- https://m.youtube.com/watch?v=12q0uE1fXjA 2- https://www.aljazeera.net/gallery/2023/6/26/%D8%A7%D9%84%D9%85%D8%AF%D8%B1%D9%87%D8%A9-%D8%AA%D9%82%D9%84%D9%8A%D8%AF-%D9%8A%D9%85%D9%86%D9%8A-%D8%AE%D8%A7%D8%B5-%D8%A8%D9%85%D9%88%D8%B3%D9%85-%D8%A7%D9%84%D8%AD%D8%AC
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Traditions
[Yemen] Al-Bara'a Dance
"Al-Bara'a Dance": or The Dance of Love and War Al-Bara'a is one of the most iconic and ancient traditional dances in Yemen, often referred to as the "Dance of Love and War" due to its deep cultural and historical significance. Performed exclusively by men, this dance is characterized by synchronized and deliberate steps that match the rhythm of beating drums, while participants wave traditional Yemeni daggers (known as Jambiya or Janbiya) and, at times, sharp swords. A Dance Rooted in Combat Al-Bara'a is more than just a performance it originated as a martial ritual. Historically, Yemenis practiced this dance as a form of training that mimicked real combat movements and military tactics. It was also a way for tribes to rally and prepare for incoming attacks, serving both as a display of readiness and as a morale booster for warriors. Harmony Between Weapon and Movement The dance group is composed of men adorned with traditional daggers at their waists, and sometimes wielding swords. They move in unison, following steady and powerful steps to the beat of drums that stir excitement in the hearts of onlookers. Each movement is precise and intentional, symbolizing strength, discipline, and cultural pride. In Al-Bara'a, physical skill is not the only element on display it is a powerful expression of identity, history, and unity. Through its rhythms and movements, this ancient dance continues to evoke a deep sense of belonging and honor among Yemenis. Every village and tribe has its own Al-Bara'a and its own special song, which can never be dispensed with under any circumstances, despite its changing objectives. The ancient Yemenis used to think that its connotations were warnings of an imminent danger in an effort to motivate the warriors to gather and prepare to meet and repel the aggressors. Today, Al-Bara'a has become a ritual performed at weddings, Eid al-Adha, Eid al-Fitr, and every happy occasion. Indeed, this dance has become a call for nothing but joy and happiness, heralding the beginning of a new life. And that's why it becames "The Dance of Love and War"
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